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Multi-talented musician, composer and academic researcher. He has amassed more than three decades of expertise in a wide range of music related fields, including keyboard instruments, synthesis, acoustics, sound engineering, musical production, and computer music programming. With a scientifically-informed approach to music, Pina has honed a diverse set of skills in producing, recording, editing, and composing.​ 
​For the past decade he has dedicated himself to contemporary music and academic research. He is the titular organist of the historical organ at the Parish of Ajuda. Holds a Master in Musical Arts, Diploma of Advanced Studies and currently he his a FCT research fellow, PhD Candidate and researcher in Contemporary Music Research Group in CESEM.

Biography

Sound artist, improviser, organist, composer and researcher. Titular of the historical organ of the Parish church of Ajuda. Integrated researcher in the Contemporary Music Research Group (CESEM, FCSH-UNL). Holds a Diploma in Advanced Studies in Musical Arts (FCSH/ESML) in the field of contemporary organ music. Master in Musical Arts, in the field of electroacoustic music and contemporary organ music, with distinction on the Dean’s Honour Roll, Best Master 2018/19 (FCSH). PhD candidate in the same academic field. Was a FCT research fellow from 2021/24. He studied at the Gregorian Institute of Lisbon, Hot Jazz Club and Physics Eng. at FC-UL. He has also studied with Adrian Moore, Åke Parmerud, Annette Vande Gorne, Barry Truax, César Viana, Eurico Carrapatoso, Gilles Gobeil, Hans Tutschku, Jaime Reis, Vincent Debut and Trevor Wishart.
His artistic and scientific output focuses on; musical analysis, composition, electroacoustic music, acousmatic music, soundscape music, acoustics, sound synthesis, organ and performance studies. His work has been awarded, edited and published internationally at events such as Arte no Tempo, Aveiro Síntese, Binaural Nodar, Encontro Nacional de Investigação em Música, Encontro Internacional de Tecnologia e Música, Festival DME, Festival Música Viva, MUSLAB, Festival Zeppelin, Matera/Intermedia, Nova Contemporary Music Meeting, NAISA, Perpectivas Sonoras, World Listening Project, and L'Espace du Son.
His acousmatic works have been published in the MA/IN 2019, Métamorphoses 2020 and Deep Wireless #18 2024 collections, where he was a finalist in those competitions.
In 2020, he published Asteroeidēs, music for organ and electronics, and Palimpsestus, acousmatic music.
In 2022, he released Avant-garde Organ, a critical edition of avant-garde works on the Portuguese historical organ. The album was funded by the GDA Foundation, with the support of CESEM, the Culture Ministry of Portugal, and was published by 9musas and distributed by Codax Music. This album had favourable reviews in the magazines Ípsilon, Scherzo and The Wire, besides being featured in international interviews, TV and radio air play. 
In 2023, in collaboration with the New Yorker Andrew Levine, he released the album Aether Ventus, organ with modular synthesisers and theremin. He performed in the György Ligeti's centenary in 2023 at the National Museum of Music and at the NCMM international conference. Performed eight hours of John Cage's Organ2/ASLSP cycle of works at the National Music Museum. Performed at 30th edition of Festival Música Viva with organ works of Bruno Gabirro, Diogo Alvim and Ivan Moody. 
(English, 400 words)

Artista sonoro, improvisador, organista, compositor e investigador. Titular do órgão histórico da Igreja Paroquial da Ajuda. Investigador integrado do Grupo de Investigação em Música Contemporânea (CESEM, FCSH-UNL). Possui um Diploma de Estudos Avançados em Artes Musicais (FCSH/ESML) no domínio da música contemporânea para órgão. Mestre em Artes Musicais, na área da música electroacústica e música contemporânea para órgão, com distinção no Quadro de Honra, Melhor Mestre 2018/19 (FCSH). Encontra-se actualmente a terminar o doutoramento, na mesma área académica. Foi bolseiro de investigação da FCT a partir de 2021/24. Estudou no Instituto Gregoriano de Lisboa, Hot Jazz Club e Eng. Física na FC-UL. Estudou também com Adrian Moore, Åke Parmerud, Annette Vande Gorne, Barry Truax, César Viana, Eurico Carrapatoso, Gilles Gobeil, Hans Tutschku, Jaime Reis, Vincent Debut e Trevor Wishart.
A sua produção artística e científica centra-se em: análise musical, composição, música electroacústica, música acusmática, paisagem sonora, acústica, síntese sonora, órgão e estudos de interpretação. O seu trabalho tem sido premiado, editado e publicado internacionalmente em eventos como Arte no Tempo, Aveiro Síntese, Binaural Nodar, Encontro Nacional de Investigação em Música, Encontro Internacional de Tecnologia e Música, Festival DME, Festival Música Viva, MUSLAB, Festival Zeppelin, Matera/Intermedia, Nova Contemporary Music Meeting, New Adventures in Sound Art, Perpectivas Sonoras, World Listening Project e L'Espace du Son.
As suas obras acusmáticas foram publicadas nas colecções MA/IN 2019, Métamorphoses 2020 e Deep Wireless #18 2024, onde foi finalista nestes concursos.
Em 2020, publicou Asteroeidēs, música para órgão e electrónica, e Palimpsestus, música acusmática.
Em 2022, lançou Avant-garde Organ, uma edição crítica de obras de vanguarda no órgão histórico português. O álbum foi financiado pela Fundação GDA, com o apoio do CESEM, Ministério da Cultura de Portugal, e foi editado pela 9musas e distribuído pela Codax Music. Este álbum teve críticas favoráveis nas revistas Ípsilon, Scherzo e The Wire, para além de ter sido objecto de entrevistas internacionais e de transmissão televisiva e radiofónica.
Em 2023, em colaboração com o nova-iorquino Andrew Levine, lançou o álbum Aether Ventus, órgão com sintetizadores modulares e theremin. Realizou o centenário de György Ligeti em 2023 no Museu Nacional da Música e na conferência internacional do NCMM. Executou oito horas do ciclo de obras Organ2/ALSP de John Cage no Museu Nacional da Música. Actuação na 30ª edição do Festival Música Viva com obras para órgão de Bruno Gabirro, Diogo Alvim e Ivan Moody.
(Português, 395 palavras)


Curriculum Vitae

  • Research fellow (FCT) 2021/2024
  • Integrated Researcher in Contemporary Music Research Group of Centre of Studies for Sociology and Musical studies (GIMC/CESEM)
  • PhD candidate in Musical Arts (FCSH/ESML), Sound expansion in the historical organ and performance practices of contemporary music
  • Diploma of Advanced Studies in Musical Arts (FCSH/ESML)
  • Master of Musical Arts (FCSH), Dean's Honour Roll 2018, Instrumental music for organ and electroacoustic music
  • Creative tools for immersive sound spatialization - SpatGRIS with Robert Normandeau (Miso Music, 2024)
  • Soundscape Composition as Context-Based Creation course – with Emeritus Professor Barry Truax, (Simon Fraser University, 2023)
  • The Art of Combining sounds – with Daniel Teruggi (DME)
  • Perception, Imagination, Space and the past of Acousmatic Music – with Annette Vande Gorne (DME)
  • Travel around the Space and Time in 60 minutes – with Jonty Harrison (DME)
  • Acoustics Fundamentals for Practice and Performance course – with Vincent Debut (FCSH)
  • Electroacoustic Music, Sound design and Spatialization course – with Jaime Reis (FCSH)
  • Spatial Interpretation of Acousmatic Music course – with Annette Vande Gorne (ESML/DME)
  • Electroacoustic Composition Course I – with Trevor Wishart (Miso Music)
  • Electroacoustic Composition Course II – with Gilles Gobeil (Miso Music)
  • International Masterclass of Electroacoustic Music – with Åke Parmerud (DME)
  • International Composition Masterclass – with  Åke Parmerud (DME)
  • Kyiv​ International Composition Masterclass - with Jaime Reis, João Pedro Oliveira, Hans Tutschku, Dimitris Andrikopoulos (PWGL), Carlos Caires (IRIN)
  • Electroacoustic Composition Masterclass – with Adrian Moore (Pure Data) (Miso Music)
  • Spatialization of Electroacoustic Music – with Miguel Azguime (Miso Music)
  • Physics Engineering (FC/UL)
  • Organ and Gregorian Chant degree (IGL)
  • Composition with Eurico Carrapatoso 
  • Advanced Piano degree with Filipe Melo (HCP)
  • Certificate of Pedagogical Aptitude (IEFP)
  • Founding Member of Experimental Organ Network
  • Founder and director of Amigos do Órgão Ibérico d'Ajuda

Academic research

  • As ilusões acusmáticas e paisagens sonoras do mundo fantasioso de Kage, 3.º Encontro em Música, Tecnologia e Investigação (MIC/DeCA-UA, 2024)
  • Re-enactment of Kagel’s Phantasie, TransVariation International colloquium (DeCA-UA, 2024)
  • Adapting Arvo Pärt's organ works to historical organs, ENIM | XII Encontro Nacional de Investigação em Música. Mafra (2023)
  • Aether Ventus: applied study to the legacy of Ligeti in the organ and electronics, 2.º Encontro de Música, Tecnologia e Investigação (MIC, 2023)
  • The acousmatic gesture in contemporary organ music, NCMM | 2023, Colégio Almada Negreiros (2023)
  • Adapting avant-garde organ music for historical instruments, ENIM | XI Encontro Nacional de Investigação em Música, Aveiro University (2022)
  • When the old technology meets the new: A case study about an acousmatic perspective of the organ, 1.º Encontro em Música, Tecnologia e Investigação, (MIC, 2022)
  • ​Organ notation for extended techniques, published in Journal Proceedings of TENOR, Marseille (2022) ISBN = 979-10-97498-03-0
  • This is not a pipe organ, international conference Xperimus, Casa da Música (2022) ISBN 978-972-789-752-0
  • Extended techniques on the pipe organ published in Composing Music Today, NCMM/CESEM (2022).  ISSN = 2795-4803 
  • John Cage's organs, EINEM |Encontro Internacional de Estudantes de Música e Musicologia, Évora (2021)
  • Ligeti's organ studies, Nova Contemporary Music Meeting, FCSH (2021)
  • The organ of the parish of Ajuda, EINEM | Encontro Internacional de Estudantes de Música e Musicologia, Évora (2020)
  • O órgão da Ajuda, Comércio de Alcântara, Lisboa (2019)
  • Convolution and convoluted acoustic spaces, Tracking the Creative Process in Music, IRCAM/FCSH (2019)
  • Técnicas estendidas no órgão, Composition Week, ESML (2019)
  • Ligeti's Harmonies, EINEM | Encontro Internacional de Estudantes de Música e Musicologia, Évora (2019)
  • Extended techniques on the pipe organ, Nova Contemporary Music Meeting, FCSH (2018)
  • Floresta amazónica e biodiversidade, FIC a Saber, ESMP (1996)
  • Introdução a Física Nuclear, FIC a Saber, ESMP (1995)

​Prizes, commissions and honorary mentions


  • Individual selection of the international call for the World New Music Days 2025, from International Society of Contemporary Music, hosted by Miso Music Portugal (2024)
  • Belphegor's Prime, artistic residency Negentropy Nexus by Absonus Lab (2024)
  • Neurotransmits, selected for Electroacoustic Bienal of Aveiro (2024)
  • Ceci n'est pas une... selected in Absonus Lab call (2024)
  • Neurotransmits, selected for discographic release in NAISA Deep Wireless Album ​(2024)
  • Neurotransmits, official selection in Fonoteca Nacional de México, Planeta Complejo, MUSLAB (2023
  • Neurotransmits, official selection MUSLAB (2023)
  • Neurotransmits, official selection for radio Radiophrenia, Scotland (2023)​​
  • Temptations ​finalist in composition contest Influx - Musiques & Recherches, premiered in L'Espace du Son (2020) and edited in Metamorphoses ​(2020).
  • Ministry of Culture stipend (2021)
  • GDA Foundation, phonographic edition prize, Avant-Garde Organ (2020)
  • Svart Hål, official selection MUSLAB (2020)
  • Dia do Grande Ruído, commission Arte no Tempo, Aveiro (2019)
  • Бориска Колокола, finalist in composition contest MA/IN MAtera INtermedia Festival, Italy (2019)
  • 10 Hygiea, selected for Mein Vater Erzählt Mir Jeden Sonntag Unsere Neun Planeten, Human Kind Records, Genève (2019)
  • 10 Hygiea,  selected for 24 hours of performance with with works related to Space, Human Kind Records, Switzerland (2019)
  • Ceci n'est pas une...  selected for Reencontros de Música Contemporânea, Arte no Tempo, Aveiro (2018)
  • ​Ceci n'est pas une... official selection in Festival Zeppelin, Centre de Cultura Contemporània, Barcelona (2018)
  • Waiting for Capdeville, commission for Isto não é um happening... (CESEM/FCSH) (2018)
  • Book of Eternal Brass, official selection in MUSLAB, Buenos Aires and México (2017)
  • ​​VISEOnarium, official selection in Dias da Música Electroacústica #55, Lisboa Incomum (2016)
  • 2 Pallas, commission for 21 Peças do Século XXI, EMSCAN, AVA editions (2016) ISBN: 979-055052-535-1
  • Lucas - the Pug in Space, oficial selection in Institute for Alien Research (2016)
  • VISEOnarium, official selection in Viseu Rural 2.0  (2015)
  • Honorary mention, soundtrack Nos teus Sonhos​ (2014)

​Discography has keyboardist, producer and sound engineer

  • Neurotransmits in Deep Wireless #18 album released by NAISA
  • Aether Ventus, blumlein records (2023) (organist, designer and producer)
  • ​Avant-garde Organ, 9musas (2022) (organist and producer)
  • Temptations, in Métamorphoses (2020) (composer)
  • Palimpsestus, acousmatic music (2020) (composer, designger and producer)
  • Asteroeides, organ and electronics (2020) (organist, composer designer and producer)
  • Бориска Колокола in Mixtape 2019  released by MA/IN Festival (2019) (composer)
  • O Musical da Minha Vida, La Feria (2016) (arranger and engraver)
  • Intro in Serpentiger, The Temple (2015) (composer and arranger)
  • Thorns, Icon & The Black Roses (2014) (keyboard player and arranger)
  • X marks the Spot in The Last Dream with Fantasy Opus (2014) (arranger and producer)
  • RH Mais, 2008 (producer)
  • Icon & The Black Roses, Icon & The Black Roses (2004) (keyboard player and arranger)
  • Viver Família, Retalhos (1996) (keyboard player, producer and arranger)

Premiers

  • Ceci n'est pas une..., national premier, Porto Planetarium, Hyperobject call by Absonus Lab (2024)
  • Neurotransmits, national premier in Biental de Música Electroacústica, Aveiro (2024)
  • Roda (2024), by Bruno Gabirro, organ, premiered in Festival Músiva Viva 2024
  • Peça Com Vista (2018), by Diogo Alvim, organ and electronics, third iteration premiered in Festival Música Viva 2024
  • Quasi-Lontano (2023), organ and electronics, second iteration premiered in Festival Música Viva 2024
  • Tiento de falsas - homenaje a Ligeti, premier in artist residency in O'culto da Ajuda (2024)
  • ​Neurotransmits, Fonoteca Nacional, Mexico (MUSLAB) (2023)
  • Neurotransmits, premier in MUSLAB, Equador (2023)
  • Neurotransmits, premier in Radiophrenia, Glasgow (2023)
  • Tiento de falsas (Homenaje a Ligeti), premeried in Ecos do Futuro (2023)
  • Quasi-Lontano (Omaggio a Ligeti), premiered in György Ligeti's centenary, organ recital in National Museum of Music (2023)
  • Quasi-Lontano (Omaggio a Ligeti), premiered in György Ligeti's centenary, organ recital in NCMM (2023)
  • ​Temptations in Perspectivas Sonora (CMMMAS, Festival DME) (2022)
  • Dia do Grande Ruído, for oboe and electronics in RMC 2021 [c08] NMpNM II (2021)
  • Бориска Колокола, used by Barry Truax in soundscape composition courses (2021)
  • Temptations in festival L'espace du son (Musiques & Recherches) 2020
  • Svart Hål, in Aveiro Síntese (2020)
  • Svart Hå​l, in International Composition Masterclass with Åke Parmerud (2019)
  • Бориска Колокола, in MA/IN MAtera INtermedia Festival, Italy (2019)
  • Sirius A and B, for flute and electronics in Di nuova Maestria, Kyiv Contemporary Music Days, Festival DME (2018)
  • Ceci n'est pas une... International Composition Masterclass with Åke Parmerud (2018)
  • Vox Humana II, Ikletik (MUSLAB) 2018
  • 10 Hygiea, in 24 hours of performance with works related to the Universe. Human Kind Records, Milan (2017)
  • Vox Humana II, Casa del Lago, UNAM, México (2017)
  • Vox Humana I, Ar Condicionado. FBAL (2017)
  • 4 Vesta, Ar Condicionado. FBAL (2017)
  • 1 Ceres  in CANSAT2017, ESA, Festival DME (2017)
  • Viseonarium (Festival DME) 2016
  • Book of Eternal Brass (MUSLAB) 2016
  • Viseonarium (Binaural Nodar) 2016
  • Soundtrack, theatre piece Inferno segundo Rimbaud (2015)​                

​​Theatre, Film and Multimedia ​Installations

  • Negentropy - The Last man in a Devastated Land, organist and thereminist, a post-techno opera by Hugo Paquete (2024)
  • Crime da Aldeia Velha, soundtrack for theatre piece by Bernardo Santareno, ESSM, Sintra (2024)
  • Frei Luís de Sousa, soundtrack for theatre piece by Almeida Garret, ESSM, Sintra (2023)
  • Inside the Organ, with Ph.D. Tiago Martins (2022) WIP
  • Musical da minha Vida, Felipe Laféria, engraver and musical producer (EPM, 2017)
  • Nos teus Sonhos, soundtrack for short film by Francisco Coutinho, Laloya honorary mention (2016)
  • Inferno segundo Rimbaud, soundtrack for theatre piece by Espectacologia (2014)
  • TRIPO, transmedia storytelling installation, composition, with Dr. Tiago Martins (2012)
  • Sound design, musical composition for videogames, Miniclip and VectrLab (Element War, Pax Imperium, LiZboa, Bloodmoon, amogst many others) (2010)
  • Sound design, narration, composition of documentaries and installations for Comissão da Celebração do Centenário da Implementação da República (2010)
  • Multimedia installation, composition, Lusitania, for Comissão da Celebração do Centenário da Implementação da República. Cordoaria Nacional de Lisboa (2010)
  • Multimedia installation, composition, Pax, Vctrlab, Parlamento Europeu (2009)

Artist Statement

​Since the 90s, he has worked as a freelance artist, keyboardist, arranger, producer and sound designer under the pseudonym Adam Nox, collaborating in videogames, film soundtrack, installations and sound design. Worked with the bands like The Temple, Forgotten Suns, Icon & The Black Roses, Fantasy Opus, Gilbert's Feed Band, and with the studios Dark Wings, Tritonus, Tcha-Tcha-Tcha, Miniclip and Vectrlab to quote a few. He established Centro Oitava studios in 2014, dedicated to contemporary music, production, synthesis and acoustic profiling.
His artistic output reflects a lifelong pursuit of amassing musical and scientific knowledge paired with critical thinking and experimentation. Building from a strong foundation in a vast range of science and musical disciplines. He continued to push the boundaries and create innovative works that draw upon a wide spectrum of musical styles, supported by academia research and unusual techniques. He his committed to explore the sonic possibilities of music and using my artistic practice to shed new light on the relationship between sound, technology, performance and the human experience. Ironically, "audio" is included in his name!
In conclusion, de Pina is a talented and innovative sound artist and researcher who has dedicated his life to exploring the boundaries of music and pushing the limits of what is possible. His extensive academic and artistic background, combined with his passion for innovation and experimentation, has resulted in a unique and diverse body of work that has been recognized and celebrated worldwide.

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